Blackmagic Micro Cinema Camera 4K

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Micro Cinema Camera (MFT lens connection)

The world’s smallest digital film camera, the Micro Cinema Camera, is designed for remote control and is equipped with:
Panel control via the forward and reverse buttons as well as remote control via expansion connector
when using compatible lenses.
Remote focus control via expansion connector when using compatible lenses.

Features:
– Super 16mm sensor
– 13 f-stops dynamic range
– Revolutionary expansion port with PWM
– S.BUS inputs, for wireless camera control via model airplane remote control.
– Integrated SD card recorder for recording up to 1080HD in CinemaDNG RAW or ProRes
– MFT lens connection
– up to 30 fps rolling shutter
– HDMI Type A output
– Battery life: approx. 1.5 hours
– Weight: only 302g
– Including LP-E6 battery

Remote controllable via LANC and PWM or S.Bus remote control channels:
– Lens control
– recording parameters
– Recording start / stop triggering

Lossless CinemaDNG RAW with film dynamic range at 1920 x 1080
Apple ProRes 422 HQ, 422, 422 LT and 422 Proxy at 1920 x 1080 optionally with? Film “” or? Video “” dynamic range.

Scope of delivery:
Blackmagic Micro Cinema Camera, power supply, DaVinci Resolve Lite

Blackmagic Pocket 4K

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Effective sensor size
18.96mm x 10mm (Four Thirds)

Lens connection
MFT mount with electronic aperture control

Iris control
Iris, focus and zoom on supported lenses

Dynamic range
13 f-stops

Recording resolutions
4096 x 2160 (4K DCI), 3840 x 2160 (Ultra HD), 1920 x 1080 (HD)

Frame rates
The maximum sensor frame rate depends on the resolution and the codec that are selected. Project frame rates of 23.98; 24; 25; 29.97; 30; 50; 59.94 and 60 fps are supported
Off-speed frame rates up to 60p in 4K DCI, 120 fps in HD windowed mode

Focus
The focus button activates the peaking function. Autofocus available with compatible lenses

Iris control
Aperture wheel and touchscreen slide control for manual adjustment of the aperture of electronically controllable lenses; Aperture button for instant automatic aperture settings of compatible lenses to avoid clipped pixels in film mode; Automatic exposure based on average scene contrast in video mode

Screen dimensions
5 inches with 1920 x 1080 resolution

Screen type
LCD with capacitive touch screen

Metadata support

Automatic lens data transfer from electronic Micro Four Thirds lenses
Automatic storage of camera settings and film board data such as project, scene number, take and special notes
Controls

Touchscreen menus on the 5 inch screen
On / Off button
Record button
Freeze button
Scroll wheel with push function integrated in the handle
ISO button
White balance button
Shutter button
three software configurable function keys
HFR button for high frame rates
Zoom button
Menu button
Play button
Focus button
IRIS button
Scope of delivery:

Blackmagic Pocket Cinema Camera 4K
Protective cap for lens connection
30W power supply with lockable connector and international adapters
SD card with software and operating instructions
Start info
DaVinci Resolve Studio with activation key
LP-E6 battery

Blackmagic URSA Broadcast

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The Blackmagic URSA Broadcast is a sophisticated Ultra HD broadcast camera that works with your existing B4 mount lenses for HD and Ultra HD. So you can shoot in HD today and switch to Ultra HD in the future if necessary. The camera offers professional controls, built-in ND filters, recorders for non-stop recording of ProRes …
Continue reading Blackmagic URSA Broadcast

Blackmagic Ursa Mini 4K EF

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Features:
– large 4K Super 35 image sensor
– Weight: only 2.27kg
– 12 aperture steps
– 2x built-in cardioid microphones
– Integrated loudspeaker (mono)
– 12G-SDI connections
– 5 “touchscreen monitor

The aperture button automatically adjusts the aperture on compatible lenses,
so that no pixels are cut off in film mode.
Automatic exposure based on average scene contrast in video mode.

The EF lens mount provides active lens control and is compatible with both active and passive EF lenses.
The URSA EF allows the convenient use of a wide range of high-quality lenses,
such as inexpensive DSLR camera lenses from manufacturers such as Canon, Zeiss and more.

RAW 3: 1 files are compatible with DaVinci Resolve, but may not be compatible with other software applications. Please check with your software provider for support updates for RAW 3: 1.

Supported CFast cards (for 4K ProRes 422HQ up to 60 fps):
Lexar Professional 3400x 32GB / 64GB / 128GB / 256GB
Transcend CFX650 128GB / 256GB
Wise CFast 2.0 3400x 128GB

Supported CFast cards (for 4K RAW up to 30 fps):
Lexar Professional 3400x 64GB / 128GB / 256GB
Transcend CFX650 128GB / 256GB
Wise CFast 2.0 3400x 128GB

Blackmagic Ursa Mini Pro

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Features:
– Large 4.6K Super 35 image sensor
– Weight: only 2.27kg
– 15 aperture steps
– 2x built-in cardioid microphones
– Integrated loudspeaker (mono)
– 12G- SDI connections
– 5 “touchscreen monitor

The URSA PL is the right choice for the use of cinema lenses with PL bayonet for optimal film optics!

RAW 3: 1 files are compatible with DaVinci Resolve, but may not be compatible with other software applications.
Please check with your software provider for support updates for RAW 3: 1.

Supported CFast cards (for 4K ProRes 422HQ up to 60 fps):
Lexar Professional 3400x 32GB / 64GB / 128GB / 256GB
Transcend CFX650 128GB / 256GB
Wise CFast 2.0 3400x 128GB

Supported CFast cards (for 4K RAW up to 30 fps):
Lexar Professional 3400x 64GB / 128GB / 256GB
Transcend CFX650 128GB / 256GB
Wise CFast 2.0 3400x 128GB

Scope of delivery:
Blackmagic URSA Mini 4.6K PL, housing cap,
Side handle, LANC cable, power supply

SONY J 30

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Signal System NTSC and PAL
Tape Format
  • Digital Betacam
  • MPEG/IMX
  • Betacam SX
  • Betacam/Betacam SP
Tape Speed Digi-Beta-96.7 mm/sec.

  • MPEG/IMX-53.776 mm/sec. (NTSC)
  • BetaSX – 59.515 mm/sec (525 mode), 59.575 (625 mode)
  • Betacam/BetaSP – 118.6 mm/sec (525 mode), 101.5 mm/sec (625 mode)
Maximum Playback Time
  • Digi-Beta-124 minutes
  • MPEG/IMX-184 minutes
  • BetaSX-194 minutes
  • Betacam/BetaSP-90 minutes
Audio Signal Format Analog Audio Playback plus FireWire
Frequency Response Not Specified by Manufacturer
Signal to Noise Ratio Not Specified by Manufacturer
Signal to Noise Ratio Not Specified by Manufacturer
Input and Output Connectors Component Video- 3-BNC (x 1)
S-Video- 4-Pin (x 1)
Composite Video- BNC (x 1)
Composite Video- RCA (x 1)
FireWire- 6-Pin (x 1)
Sync- BNC (x 1)
Audio- XLR (x 2)
Audio- RCA (x 2)
RS-422A- 9-Pin (x 1)
RS-232C- 9-Pin (x 1)
Headphones- 1/4-Inch Stereo (x 1)
Power Requirements 100-240 Volts AC, 50 or 60 Hz
Power Consumption 55 Watts
Operating Temperature 41° to 104° F
5° to 40° C
Dimensions (WxHxD) 12 1/8 x 4 x 15 3/4 in.
307 x 100 x 397mm
Weight 18 lbs.
8.2 kg

Sony J-3 SDI

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Weight : Approx. 9 lb 12 oz (4.4 kg)

Power consumption : 16 W (playback mode with LCD monitor on)

Power requirements : AC 120 V, 60 Hz

Dimensions (WxHxD) : Approx. 212 x 88 x 390.3mm (8 3/8 x 3 1/2 x 15 3/8 inch)

Storage temperature : -4 to 140 °F (-20 to +60 °C)

Operating temperature : 41 to 104 °F (5 to 40 °C)

Input/output connectors/devices

Control S input : Stereo minijack (ø3.5 mm)

LCD monitor : 2.7-inch type (Viewable area measured diagonally), approx.
211,200 dots (960 x 220), Clear Photo¿ LCD Plus

Video input/output : BNCx1 / BNCx1

Monitor video out : RCA pin x1

S-video input/output : Mini-DIN 4-pin x1 / Mini-DIN 4-pin x1

Component video output : BNC x 3

i.LINK interface (HDV /DV) : 6-pin (no power)

HD/SD-SDI output : BNC x1

LANC : Stereo mini-minijack (ø2.5 mm)

Audio output : XLR 3pin x 4ch

Monitor audio out : RCA pin x 1

AES/EBU output : BNC x2

Audio input : RCA pin x 4ch

Phones : Stereo minijack (ø3.5 mm)

TC out : BNC x1

Technical

Fast forward/rewind time : Approx. 2 min with PHDV-276DM cassette

Playback/recording time : HDV/DV SP:
Max. 276 min with PHDV-276DM cassette
Max. 63 min with PHDVM-63DM cassette

DVCAM:
Max. 184 min with PHDV-276DM cassette
Max. 41 min with PHDVM-63DM cassette

Tape speed :

Sony J-30SDI

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Signal System NTSC and PAL
Tape Format
  • Digital Betacam
  • MPEG/IMX
  • Betacam SX
  • Betacam/Betacam SP
Tape Speed Digi-Beta-96.7 mm/sec.

  • MPEG/IMX-53.776 mm/sec. (NTSC)
  • BetaSX – 59.515 mm/sec (525 mode), 59.575 (625 mode)
  • Betacam/BetaSP – 118.6 mm/sec (525 mode), 101.5 mm/sec (625 mode)
Maximum Playback Time
  • Digi-Beta-124 minutes
  • MPEG/IMX-184 minutes
  • BetaSX-194 minutes
  • Betacam/BetaSP-90 minutes
Audio Signal Format Digital and Analog Audio Playback
Frequency Response Not Specified by Manufacturer
Signal to Noise Ratio Not Specified by Manufacturer
Signal to Noise Ratio Not Specified by Manufacturer
Input and Output Connectors Sync- BNC (x 1 input)
Composite Video- BNC (x 1 output)
Composite Video- RCA (x 1 output)
S-Video- 4-Pin (x 1 output)
FireWire- 6-Pin (x 1 output)
SDI Video- BNC (x 2 output)
Time Code- BNC (x 1 output)
Audio- XLR (x 2 output)
Audio- RCA (x 2 output)
RS-422A- 9-Pin (x 1)
RS-232C- 9-Pin (x 1)
Headphones- 1/4-Inch Stereo (x 1 output)
Power Requirements 100-240 Volts AC, 50 or 60 Hz
Power Consumption 55 Watts
Operating Temperature 41° to 104° F
5° to 40° C
Dimensions (WxHxD) 12 1/8 x 4 x 15 3/4 in.
307 x 100 x 397mm
Weight 18 lbs.
8.2 kg

Sony J-H3 SDI

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  • HDCAM playback 1080/50i – 1080/59.91i – 1080/25p, 2080/29.97p
  • SDI & HD-SDI connectors
  • RS-422 control
  • Timecode output

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